The tramp art heron
A folk-art painting in a layered tramp-art frame, signed and undated.
The pieces — and the rooms that hold them — that we hunt for.
Reference photographs kept on file. The pieces a room holds, the rooms a piece deserves — the standard a sale has to clear before it earns a place on the list.
A crystal sack chandelier over a Picasso poster from ’61, a carved Gustavian settee in original cream, a leopard in needlepoint, a Venetian mirror reflecting the dining room beyond. A lifetime of looking, hung on one wall — and the standard a sale has to clear.
A folk-art painting in a layered tramp-art frame, signed and undated.
A spherical pendant the size of a head over a long dark dining table, two patterned screens above a sideboard of terracotta pots.
A linen headboard, an arched alcove, one velvet bolster in moss. The smallest piece of color in the room — and the one your eye keeps going back to.
A macramé canopy from the rafters, a baroque mirror, a low coffee table built from a single slab. One good extravagance, and the room stops there.
Three olive-velvet chairs at a mahogany table, stacks of books unopened on the floor, plaster left to fall where it falls.
An enormous baroque mirror above a delicate Queen-Anne console, a faded Polaroid stuck to the glass.
A neoclassical triptych of dancers on canvas, set against a wrought-iron lantern and a black bronze.
An Ib Kofod-Larsen lounge under a long Edwardian portrait. Linen sheers, an oriental rug, a fireplace.
Ochre lime-wash to the cornice, a small oil of a man in a fez, a marble-topped sideboard.
A 17th-century walnut side chair on cement tile, a still life of onions and a pitcher hung by a striped ribbon.
One small portrait centered on a lime-washed chimney, two rush stools, a Picasso monograph face-up on the table.
A skirted daybed under an interior window, toile pillow, rust velvet, a sleeping cat.
A pair of caned Pierre Jeanneret chairs, a paper pendant, a bowl of orange tulips set down to do the work no painting could.
A primitive shiplap wall behind a worn console, a brass-bellied lamp, a vivid abstract on the right that does the whole room’s work.
A floor-to-ceiling landscape oil between sheer linen panels, a marble bistro table, a sleeping dog.
A green armoire, an old portrait of a child, watercolour florals, a red fringed lampshade on a fluted brass stand.
A plastered ceiling with a knotted rope chandelier, a sunken stone basin, geometric encaustic tile across the floor.
A dark side cart with a bourbon and a bottle of amaro, dried celosia and queen anne’s lace above.
A pair of cognac suede club chairs, an oil portrait propped on the floor, a wicker dome lamp on a carved Moroccan sideboard. The best piece on the ground — the kind of room where the leaning painting is for sale.
A De Sede chair beside an oil propped on the floor, a wicker dome lamp, an antique carved chest.
A black shelf above white-tile wainscoting, propped engravings and a small lampshade, a clawfoot tub at the right edge.
A carved walnut headboard, a 19th-century landscape centered above, white linens, a Persian rug worn into.
A long farm table on cane Cesca chairs, three nude line drawings between brass sconces, candles lit before anyone arrived.
A heavy primitive console on brick, a copper jar lamp, branch forsythia in a stoneware pot.
Two rows of four, framed identically in walnut, hung above a serpentine-marble bath.
A seventeenth-century Aubusson against a chalk-white wall, picture-lit, a Spanish carved sideboard underneath.
A column of nine sepia botanicals in blackened frames over a dark wood cabinet, a stoneware urn of dried alliums, a brass-and-glass pendant.
Glass-fronted oak with original brass pulls, white pitchers behind glass, a striped linen apron on a hook.
Hand-poured concrete in a faded coral, brass telephone tap, terracotta tile underfoot and a small still life above.
Four cut-glass decanters on a brass-galleried tray, a piece of antique lace beneath, a sepia portrait above.
Twin beds in dove blue against a folk-art mural of stags and birds, cement tile underfoot, an iron chandelier above.
A scrolled mahogany headboard against a chalk wall, a single floor lamp leaned in.
Spanish-Revival oak under a beamed arch. Twin candle sconces, a smoked-glass bell jar, a portrait that no one chose to match.
A floral chintz sofa with a crimson velvet cushion, a verdure tapestry above, a fully-stacked bookcase to the right.
A Camaleonda sofa in burnt orange, an apothecary sideboard, a Hellenistic torso under a contemporary canvas.
Two stacked steamer trunks beside the bed, a pendant Edison bulb low above, leaned portraits on the top.
Six painted plates flanking a kitchen doorway, two carved Moroccan chairs beneath, sconces between.
Old paneled doors in forest green under a fanlight, a carved bench, a fig in a clay pot.
Forty paintings hung edge to edge, a wicker pendant the size of a torso, a goldenrod sofa long enough to sit and look.
A turn-of-the-century stacking law-book case repurposed for stemware and bottles. An expressionist self-portrait above, two brass candlesticks.
A stone-vaulted alcove, a carved oak chest, a single framed sketch above.
Six shelves of antique stemware in every color found in nature — ruby, smoke, amethyst, amber — on a slim larchwood rack against rough plaster.
If you’ve lived with a room worth filing — and you’re willing to let us photograph it — write to us. Members hear about new entries first.